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AYE!

by Grawl!x

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1.
Frontispiece 06:09
(Pry open) Mornings for writing wrongs Afternoons for wagons of wagging tongues what wrap around each other like pythons Evenings for sleeping What more can one man do? This is all happening While we speak Everything & everything else Everything’s happening Mornings for being strong Prying out muh system Afternoons for leaving Evenings for weeping Educate my rage The same page we’ve always been on This is still happening While we speak Everything & everything else Everything’s happening
2.
Pando 04:25
There is what is & what should be & never the twain shall meet You’re over there & I’m over here & never the twain shall meet I took the liberty of keeping my distance & never the twain shall meet I know where I would rather be & never the twain shall meet I took the liberty of introducing myself at parties Being the bi that I thought I’d be As it becomes a crutch “Let’s keep in touch” Though I know what you’re really saying to me You have no idea what you do to me & never the twain shall meet I know where I would always much rather be Whenever the twain shall meet In places you don’t talk about Rambling at parties Being the boy I never thought I’d be As it becomes too much Please keep in touch because I know what you really mean to me My aim I’m sorry
3.
Kumquat 03:19
I’ve come to the conclusion that a lot of life is waiting around for not very much to happen. & in a place like this, the most that one can hope for is to get started upon by some big kumquat. First: the loneliness Second: the motion to make it slow Third: indecisiveness It’s the boredom that puts people on death row I do not know where to go Fuck you future me; this is the best you’ll ever be & Hell is a waiting room & Heaven is a gated community The only times I don’t hate myself are when I’m being a big kumquat First: the loneliness Second: the motion to make it slow Third: indecisiveness It’s the boredom that puts people on death row I do not know where to go From the cradle to flames It continued seemingly on forever, endlessly & then it stopped Y’know someday you’re going to die & the world will breathe a sigh & feel a kumquat lighter I do not know what to tell you First: the loneliness Second: the motion to make it slow Third: indecisiveness It’s the boredom that puts fuckers on death row I do not know where to go
4.
Dearth 03:55
A little something, something to cull the edging Bending out of all proportion Distended & mutilated Sombre ‘n diluted In one end, it comes out the other side; alive Barely breaths Slow death No telling how it’s going to end Well I guess that’s that I still need it back Up yer arse Forgive my belligerence but fuck off you fish eyed, dead head cunting bollocks fuck! Was it a bit much? No hope & no remorse Well I guess that’s enough I love you so fucking much
5.
Compliance 01:37
I understand. You needn’t expand on your answer Enraptured (I’m listening) & so adrift Lift fingertips through what we missed & what we did (I miss it) & I miss our time, with your own mind You’re your own kind & you’re not mine (You’re beautiful) I miss living Miss misgivings Quick quivering, swift shivering (I’m brittle) So long have I wanted to die I must comply with quiet resign in healthy compliance
6.
Kind words; how they depict us Sharp swords Raised & to the point They better, better get the words to go backwards Start emanating from a voice outside us Why ye braving the acquaintance of a bigoted & maladjusted fuck tonne when the best that one can hope for (sure) is tantamount to a complete indifference? Least that is what they tell me. Least breathing everyday Fists. Twisted amid smoke ‘n bones Terse word: “As long as you’re okay” “I’m never better! I am the life & soul!” (All the while my little heart is brea...) “King Substance Wolf stood atop Mountain Clouds & all the while, rampaging! Proclaim to my devoted flock something along the lines of: ‘Let’s get fucked up!’” Before we burn up. Kind words are better
7.
Destination 04:59
Say missy could you help me? I been wandering round & I’m a little bit lost Going off of the setting sun might account for my lack of a direction You might just know the way The way to my destination Say missy does this go off road? I been wandering round & I don’t got no home Round and round in a circle Lost alot in my own loneliness Floating Coping Hoping you might just know the way The way to my destination
8.
Gumption 04:05
I show up late for the great rollicking, bollocking what so I hear (far too clear) has been deemed to be a long time coming Pertaining to something I done What the ho; what the heck? Indignation kept in check I am bred & they breed Information we receive through gumption tired eyes & the winner is the first one who dies First prize! In innocent lies Can barely describe & you were so right Bodies twisted in moonlight Reckless in the wind Daylight Daylight coming in so bright Kept alive Anything you can do would be obliged & we will try, try to keep Keep in mind Minding gumption tired eyes Weak from a lifetime of bored compromise But hey ho What the heck? What the hell? Indignation I can quell Just a bit used to it Many years of practice One more cannot hurt Just about what you deserve Can barely form words Like it matters & you were so right Bodies twisted in moonlight Reckless in the wind Daylight Daylight coming in so bright Kept alive
9.
Aye! 04:24
In a mode of change one can sure show ones age Don’t you know that you can ride & hide for as long as you like? To a burning sea Past a load of debris from a crumbling mountain range what’s showing its age Will you come with me? Don’t have to say immediately Don’t you know that there’s the morning sun, egging us to go on & continue through the plethora of trees Swarming of the fallen leaves that swells open to a mighty lake that shows us our age You can run & hide for as long as you like Don’t you know that?

about

The 2nd album in a trilogy of records about grief.

This one deals with the concept of acceptance amongst other things.
I had always wanted to make a massive pop record & this was my first attempt at doing so. Even before completing Good Grief I was super eager to start on this one.

The release show was at Derby Cathedral on February 15th 2016. We had support from Haiku Salut & Richard J. Birkin & was one of the best shows of my life. (Think there's some footage knocking around somewhere!)

credits

released May 28, 2016

All material written & performed by Maria Michael Machin

Produced by Rich Collins & Robin Newman @Snug Recording Co.
Mastered by Tom Woodhead @Hippocratic Mastering

Personel:
Drums by Rich Collins
Xtra Beats by Haiku Salut
Bips & bleeps by Robin Newman

Flower Pressing by Ann Murray
Cover photograph by Dan Wheeler
Album photography by Kristen Goodall
Design & Layout by Jim Cork

Taa:
Leigh Dawber, Richard J. Birkin, Danielle Cotterill, Lara Elliot, Russell Beresford, Matt Spalding, Paul Beal, Cal & Tom, FAM, the Barkerwoods, Amy & Luke, Louise Croft & Hayley Walsh

©2016

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